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Jessica Bell

Wednesday, March 20, 2013

Author Interview – Maria Granovsky

Did writing this book teach you anything and what was it? Writing POISON PILL taught me the value of committing to a goal and working toward it without having the perfect plan of action or a detailed map. A friend once jokingly said that if there were books on how to cross the street, I’d read all of them before attempting an actual crossing, and she’s probably right. I often use the need to acquire theoretical knowledge as a means to postpone attempting the actual doing of something.

With this novel, I just plunged in. I started writing. Then I started editing. Then I found a writing group to provide critiques. Then I found a professional editor. Each step was a learning process on the go, and brought with it valuable experience. So now I’m far less reticent about doing things and learning from my mistakes.

Do you intent to make writing a career? I consider writing to be a career already. It cannot be a full-time career right now for financial reasons, but I take it just as seriously as I take my work as a lawyer. It is definitely not a hobby.

What is your least favorite quality about yourself? The flipside of being insatiably curious about everything (my favorite quality), is that I have the attention span of a gnat with ADD, and it’s difficult to concentrate on a task without the sense that a huge number of interesting things are happening around me and I don’t know about them. I noticed that social media has made my inability to focus worse, and I’m now consciously trying to limit my Internet time. Not very successfully so far.

How did you come up with the title? “Poison pill” is a legal term. It relates to a contract provision that makes an undesirable action by a party so extremely costly that it virtually guarantees that party won’t do it. A poison pill provision plays an important role in the plot of POISON PILL. In addition the book is about a bad diet drug — so POISON PILL seemed like a perfect double entendre title.

How did you develop your plot and characters? The characters are based on composites of people I know. My protagonists came to me almost pre-formed. I just knew who they were, their background stories, and their responses to different situations. As to the plot, I knew the beginning and the end, but didn’t outline the full story. Instead, it felt like the characters did their own thing, and I just reported on what they were up to. Only in the last couple of chapters, where everything had to be resolved, did I step in with a detailed list of plot points that needed to be addressed.

It’s the drug of the century, a miracle weight loss compound worth billions, invented by Jon Vickers shortly before his death. So why is Jon’s brother Benedict risking his inheritance, his brother’s legacy, and even his own life to keep the drug from the market?

And why is Olga Mueller, a jaded lawyer Benedict met by chance while traveling to Istanbul, willing to help?

Can they take on a powerful venture capitalist and a ruthless top-tier law firm and win? Or even survive? In a world where money rules, does truth stand a chance?

Buy Now @ Amazon

Genre – Legal Thriller

Rating – PG

More details about the author & the book

Connect with Maria Granovsky on Twitter & GoodReads

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